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It’s been a while since I surveyed the market for free software synths, so I thought I’d give it go and see what’s new and what has stood the test of time. Some of these instruments were released as prototypes or were the early experiments of developers just entering the market.

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Free stuff is not always actually free. Often you will follow a link only to find out that it’s a free “demo”. Aren’t all demos supposed to be free?? In other cases, free software is dangled like a carrot in order to get your email address or to entice you into buying other products, preset libraries, add-ons, etc.

Well, business is business, and I suppose everyone needs to make a buck. I really don’t mind spending a few dollars for some shareware now and again to support a budding developer. But it behooves even the most experienced consumer to proceed with caution when the word free is thrown around.

What follows are some awesome sounding instruments in no particular order that are indeed free with very few strings attached. And if you can stomach a little extra spam, some of these may prove valuable additions to your stockpile of synths.

1. TyrellN6 by u-he

• Virtual analog with classic architecture, plus extras.
• Two oscillators, noise, ring modulator.
• Two LFOs with eight waveforms that are host-syncable.
• Audio source mixer with authentic overdrive and filter feedback.
• Twin filter related to Diva (early model).
• Unison with up to eight voices.
• Analog-type ADSR envelopes, loopable or LFO-triggered.
• Small modulation matrix with depth modulation from a second source.
• Chorus effect with three modes.
• MIDI learn / unlearn for hardware control.
• Resizable UI from 70% to 200%.
• Skinnable UI.
• Over 580 factory presets.

This thing is responsive as hell and sounds sweet! I love the stained and grungy aesthetic of the interface. It’s really hard to believe it’s free. But it serves its purpose I suppose because it truly whets the appetite for more stuff from u-he.

2. Dexed

Dexed is an emulation of the classic FM synth: Yamaha DX7.

From the Github page:

“Dexed is a multi-platform, multi-format plugin synth that is closely modeled on the Yamaha DX7. Dexed is also a midi cartridge librarian/manager for the DX7. Do not expect this to be a perfect clone of a DX7 since this will take years in the open source world and multiple collaborators before getting there … Since Dexed is modeled on the DX7, the Yamaha DX7 Operating Manual can be used as a reference documentation.”

The interface is a little cluttered and is more functional than it is aesthetically pleasing, but there are a ton of sonic possibilities with this for those willing to dig in.

3. MiniSpillage

“MiniSpillage is a free professional quality drum synthesizer plugin featuring high-resolution 64-bit DSP processing.
MiniSpillage includes three exclusive drum synthesis algorithms along with distortion effects and resonant filters.”

• Bass Drum – Single oscillator bass drum synth with pitch sweep, internal FM and harmonic controls.
• Wood Drum – Flexible wooden drum model synthesizes natural and synthetic timbres from log drums to toms.
• Hi-Hat – Six oscillators closed and open hi-hat generator with a noise source and dual resonant filters.

This is a great free option for those that want to create their own drum sounds with modulation, filtering and distortion effects.

4. Crystal Synth by Green Oak

This is one is a bit frustrating and takes a while to get anything remotely usable. The interface is on the clunky side. But a little patience can be rewarding.

5. Lokomotiv

Lokomotiv is an analog retro synthesizer that is impressive from the first launch. Its austere interface is surprisingly responsive and sounds immediately great.

Oscillator:

• Mathematically generated high definition Oscillator without using wavetable or interpolation.
• Silky smooth 9X detuned sawtooth wave.
• Pulse wave with self PWM.
• Shape morphing sub-oscillator.

Filter:

• MG ladder modeling multimode filter featuring Zero Delay Feedback technology.
• Routable filter Drive (Pre/Post).

Modulator:

• Natural Curved ADSR Envelope generator.
• One-shot LFO which can be used as envelope.

Specification:

• 1X OSC (Saw+ Pulse) + One Sub OSC, Noise Generator.
• 1X multimode Filter with Drive.
• 1X LFO, 1X Envelope Generator.
• Eight polyphonic voices, Mono and Legato mode supported.
• 64 Factory presets included.
• Native 64-bit, Mac and Windows OS supported.

6. Digits from Extent of the Jam

This one sports a subdued color palette with beefy growls, preset chords and brass sounds. A bit of crackling when parameters are modified, but worth the time to download for sure.

7. Spitfire Audio – LABS

Not long ago, Spitfire Audio released an ongoing series of completely free instruments called LABS. These are very, very simple sampled instruments with just a handful of controls and they sound really, really good. So far the collection includes:

• Charango
• Electric Piano
• Amplified Electric Cello Quartet
• Drums
• Strings
• Soft Piano

If you’ve used any of the Spitfire Sample Libraries before, you know how well they’re recorded, and these instruments are no exception. While you won’t get the flexibility or deep sampled variety of a full-scale library, you will get a great sound that can be slightly varied to taste. While these are sampled instruments as opposed to synths, they’re free and so good that I felt they warranted inclusion.

8. TAL NoiseMaker

This is one my of favorite choices. The interface is accessible, clean and to the point and thick, beefy sounds are possible from the get-go. Really nice!

From the developer: “TAL NoiseMaker is an improved version of TAL-Elek7ro and has a completely new synth engine and a lot of improvements in sound and usability. The synth also includes a small effect section with a reverb, chorus and a simple bit crusher effect. A display shows the knob and slider values. This allows more control over the synth. A ring modulator and a syncable triangle are also part of this synth.”

TAL NoiseMaker includes new filter types and the self-resonating 6 dB low pass and notch filter. Its improved amplitude ADSR is very suitable for slow pads and for really fast envelopes. 128 factory presets included, 80 made by Frank “Xenox” Neumann.

Features:

• Three Oscillators. Osc 1, +/- 24 semitones, fine tune, phase control (saw, pulse, noise). Osc 2, +/- 24 semitones, fine tune, phase control (saw, rectangle, triangle, sine). Sub Osc (rectangle).
• Osc 1 PM for pulse waveform.
• Osc 2 FM controlled by Osc 1.
• Osc 1 & Osc 2 sync to sub osc (saw, pulse, rectangle, triangle (bipolar sync)).
• Adjustable master tune and transpose.
• Up to six voices.
• Portamento in mono and poly mode (off, auto, on).
• Ringmod modulates Osc 1 with Osc 2.
• Self resonating 4x oversampled filters (24 dB LP, 18 dB LP, 12 dB LP, 6 dB LP, 12 dB HP, 12 dB BP, Notch).
• Filter ADSR (negative and positive).
• Volume ADSR
• Routable ADSR, modulates Filter, Osc 1, Osc 2, PW, FM (negative and positive)
• Two LFO’s with different running modes: free, sync to host, triggered by note. Modulates filter, Osc 1, Osc 2, FM, PW, LFO rate, Panorama and Volume. Sine, Triangle, Saw Square, S&H, Noise. Positive and Negative modulation. Phase control.
• Adjustable Velocity-dependent control over volume filter contour and cutoff.
• Adjustable Pitch Wheel control over Cutoff and Pitch.
• One pole HP filter.
• Detune, detunes notes randomly.
• Juno chorus with different modes.
• A built-in reverb and delay.
• Adjustable filter drive.
• Bitcrusher affects Osc 1 and Osc 2. It’s a pre-filter stage effect.
• MIDI Learn for all knobs.
• Panic button.
• Easy to use, no hidden panels.
• 256 great presets (Presets by Frank “Xenox” Neumann, The Unshushable Coktor, Alexandra Sendy, TAL, Patrick Kunz).

9. Thump by Metric Halo

Thump is a unique audio processor that allows you to synthesize low-frequency audio to add low end to a track or generate another sound entirely. Thump looks at the pitch and dynamics of its audio input and uses this information to control its oscillators. You can add low end to drums, augment a bass or even create synthetic drones.

Thump is ideal for beefing up a kick drum, adding low end to percussive tracks, recreating classic drum synth sounds and more. You can use Thump’s envelope driven, percussive sub-harmonic synth for the following things (among others):

• Build low-octave support for bass drum, tom, snare and other percussive tracks.
• Create kettle drum sounds from regular drum tracks.
• Recreate the sounds of classic drum synths like the TR-808.

The effect of Thump is similar to generating a sine wave or other waveform on a gated track that is side-chained to a transient on another track such as a kick. But Thump allows more control, two oscillators that can be changed on the fly and more pitch specific envelope control. If you like kicks that are thick as hell and challenge the range of human hearing, you will like Thump a lot.

NOTE: the instrument requires a transient input to be activated so you would use it like an insert rather than a standalone synth.

10. Synth 1 by Daichi Laboratory

While the interface is a bit nasty and pixelated, Synth 1 by Ichiro Toda is modeled after the Nord Lead 2 Red Synth and sounds decent. It doesn’t take long to get a few usable sounds and the onboard arpeggiator is great for experimenting. (Manual)

11. PG-8X by Martin Lüder

“The PG-8X is a virtual synthesizer, inspired by the Roland JX-8P with the PG-800 programmer. The synth architecture is a standard 2-oscillator -> Filter -> VCA design. These elements can be modulated by a common LFO and one of two envelopes. The PG-8X is patch compatible with the JX-8P and can read and write JX-8P Sysex data”. (Manual)

Conclusion

While these instruments may not be the best things in life — they are free. And it has been my experience that there is something to be learned from every piece of software, as there is from all types of music. Experimentation and exploration yield untold rewards for the adventurous, and freeware is a great place to start your journey or a means to unshackle yourself, at least temporarily, from the financial constraints that plague us all.

—–

Check out my other articles, reviews, interviews and my video tutorial series, Synthesis 101 available exclusively on The Pro Audio Files.

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Synthesis 101: 4+ Hours of In-Depth Synth Training

It’s been a while since I surveyed the market for free software synths, so I thought I’d give it go and see what’s new and what has stood the test of time. Some of these instruments were released as prototypes or were the early experiments of developers just entering the market. Free stuff is not al

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It’s the end of the month, and your bank account is empty…

…again.

Oops.

And as much as you might feel like buying that new Waves plugin…

(You’ve had your eye on it for months, right?)

It’s probably not a good idea.

But if you’re still looking to expand your plugin library, don’t worry.

Sometimes, the best things in life are free…

Here are 7 of my favorite free plugins. Each of them offers something new and unique (no boring EQs or compressors). Download them all to extend your sonic palette and ultimately, craft better-sounding tracks.

And if you’re looking to dive deeper, I also put together a list of five plugins I use on every mix. If you’re wondering which plugins I recommend, download the list below to make sure you’ve got my top tools for the job.

1. iZotope Neutrino

Neutrino is the baby brother of Neutron—iZotope’s newest channel-strip plugin. While Neutron has a number of innovative features, Neutrino spins off the best of them.

Neutrino tames undesirable resonances caused by poor room acoustics, cheap gear, and heavy-handed processing. iZotope calls the effect “spectral shaping,” and it can sound similar to gentle, low-ratio multiband compression. This can make tracks sound smoother and more polished—like sanding the rough edges off a freshly cut piece of wood. I find Neutrino particularly useful on electric guitar tracks, which often have lots of harsh resonances.

2. Voxengo SPAN

People say “don’t mix with your eyes.”

Meh.

The truth?

Tools that provide visual feedback, when used properly, can help you make better mixing decisions.

A spectrum analyzer is one of these tools. It plots the frequencies of sounds out on a graph, which allows you to “see” what tracks are comprised of.

SPAN is my favorite spectrum analyzer. You can control the ballistics and response of its graph, which makes it flexible enough for a wide variety of tasks. You can even route multiple tracks into SPAN and compare their frequency content.

(P.S. Voxengo has a few other free VST plugins. They’re worth checking out too, but SPAN is my favorite.)

3. Brainworx bx_solo

Bx_solo is a no-frills, stereo-imaging plugin. While it’s the least sexy of this bunch, it can still be pretty useful.

I like to add bx_solo to my mix bus. While I rarely push the stereo width past 100%, collapsing it to zero is an easy way to check for mono compatibility. The mid and side solo buttons are also useful. It’s great to have this one around—you never know when you might need it!

4. HOFA 4U Project Time

Mixing is a race against time.

The more time you spend on a mix, the more attached you become to what it sounds like. This makes it progressively harder to make good mixing decisions. Given enough time, even the worst mix will start to sound decent.

This is one reason I recommend mixing quickly and impulsively. You’ll get to the finish line faster, retain more objectivity, and ultimately, craft better mixes.

The first step towards more efficient mixing is to track how much time you spend doing it. Without this information, it’s easy to get lost in a black hole of endless tweaking.

Project Time makes this easy. Add it to a track, and it will start counting. The timer automatically stops when you close the session, and starts when you open it up again.

Keep an eye on Project Time, and you’ll train yourself to mix faster and more efficiently. It’s also an invaluable tool if you bill by the hour!

5. MeldaProduction MFreeFXBundle

MeldaProduction makes some great plugins. They’ve earned the praise of many notable engineers, including mastering guru Ian Shepard.

The MFreeFXBundle contains 30 free VST plugins. They range from workhorse tools like a compressor and EQ, to less common effects like a ring modulator, flanger, and oscilloscope.

If you’re looking to fill some holes in your plugin library, this is a great place to start.

6. Flux BitterSweet

BitterSweet is among the best transient shapers out there. It can produce results on par with studio mainstays like SPL’s Transient Designer and Waves’ Trans-X.

This simple plugin can achieve a wide variety of effects. Turn the knob to the right to add punch to drums, enhance the pluck of an acoustic guitar, or boost the consonants in a vocal performance. Turn the knob to the left to soften tracks and push them back in the soundstage.

7. iZotope Vinyl

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Sometimes a little crackle is a good thing.

Vinyl will make tracks sound like they’re being played on a turntable. You can vary the intensity of the effect by controlling the volume of different types of noise, the degree of wear and tear, and the decade your sound is from. The results range from subtle filtering to Edison phonograph.

This plugin is great for special effects, like filtering down a vocal or making an intro sound tiny.

Moving Beyond Free Plugins: My Favorite Plugins

I hope these 7 free plugins help you craft tracks that sound fresh and unique.

If you’re looking to dive deeper, I also put together a list of 5 plugins I use on every mix. If you’re wondering which plugins I recommend, download the list below to make sure you’ve got my top tools for the job.

Before you go—what’s your favorite free VST plugin? Share your pick in the comment section below.

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Bonus: 3 More Free Plugins for Mixing

3 Free Plugins I Use in Every Mix

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It’s the end of the month, and your bank account is empty… …again. Oops. And as much as you might feel like buying that new Waves plugin… (You’ve had your eye on it for months, right?) It’s probably not a good idea. But if you're still looking to expand your plugin library, don't worry. Sometimes,

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